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Azeza Possum / Women’s Dreaming – My Great Grandmother’s Country (18984)
121cm x 92cm Acrylic on CanvasView more from artist
121cm x 92cm Acrylic on Canvas
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How Artworks Are Sent
Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.
Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.
These artworks will need to be stretched on a stretcher board before hanging.
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Azeza Possum was born in Kempsey, NSW in November 1995. She is the granddaughter of Clifford Possum Tjapaltjairri, AO (c. 1937 – 2002), Australia’s most celebrated Aboriginal artist. Clifford’s art hangs in all of the major collections and museums worldwide, he presented his art to the Queen, and features in numerous important publications on the Masters of Australian Art.
Azeza is the second youngest daughter of senior artist Michelle Possum Nungurrayi and Heath Tjangala. Michelle is the youngest child of Clifford making Azeza (and her 2 sisters) the third generation of artists in her family. Michelle, along with her older sister Gabriella, were taught to paint by Clifford and they both carry forward the traditional stories, style and much of the iconography of Clifford Possum, albeit with stronger colour and the addition of women’s ceremonial stories and other women’s dreamings.
Azeza learnt to paint by observing and assisting her mother. Her art is colourful and dramatic in style, depicting the dreaming stories and women’s ceremonial activities of her paternal great-grandmother Long Rose Nungala, combined with the bold and precise imaging of her grandfather, aunty and mothers artworks.
Along with her 2 sisters – Khatija and Chelsea- this exciting young artist is making a huge impression on the art world and we have no doubt she will have a long and successful career.
The Women’s Dreaming paintings by Azeza depicts Women’s ceremonial sites surrounding Tjukurla in the western desert of Central Australia – traditional homelands to the artist’s family. Ceremonial sites carry a deep spiritual meaning and it is where the women narrate their sacred Aboriginal dreamtime stories, through song lines, dance cycles and body paint. This painting has many secret and sacred landmarks and iconography but also includes the important fire, bush tucker and waterholes that are imperative to the women as the ceremonies can last for over a week. Though primarily a landscape painting Azeza has surpassed the basic stories and landmarks and has expanded this art of body painting and ceremonial themes into a classic contemporary composition, using modern acrylic paints.
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