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Belinda Golder Kngwarreye / Women’s Dreaming (BG290)
SKU: BG290
200cm x 105cm Acrylic on Canvas
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$4,200.00
200cm x 105cm Acrylic on Canvas
In stock
How Artworks Are Sent
Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.
Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.
These artworks will need to be stretched around a wooden frame before hanging
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Artist Profile
Belinda Golder Kngwarreye was born in 1988 and grew up in Boundary Bore, Utopia, Central Australia. She began painting in her twenties under the guidance of her grandmother, leading Utopian artist, the late Polly Ngale and Polly’s sisters, Kathleen Ngale and Angelina Ngale. These ladies were traditional custodians for the Bush Plum Dreaming and Belinda paints this story that she inherited from her grandmother using heavily layered paint to depict the fruit and foliage of the plant in various stages of ripeness.
Belinda has also learnt painting techniques from her sister, well known artist Janet Golder Kngwarreye. In recent years, Belinda has painted a series of works which depicts her ancestral Country of Alhalkere. These artworks are rich in story, combining imagery of women’s ceremonies and bush tucker, as well as features of the Utopia landscape.
Belinda divides her time between Alice Springs and Utopia where she lives with her husband and 2 children.
Selected Exhibitions
• 2023 The Summer Show 2023 | Grand Design, Everywhen Art, Shoreham VIC
• 2022 Synergy 2022, First Nations Artists from around Australia, Everywhen Art, Shoreham VIC
• 2021 Sounds of Summer 2, Japingka Gallery, Freemantle
• 2021 Synergy: Art from the Heartlands of Aboriginal Australia, Everywhen Art, Shoreham VIC
Artwork Description
Belinda paints her Country, Alhalkere, a place rich with the ancestral stories and women’s ceremonies that connect her people to the land. The delicate lines and intricate patterns represent Awelye — Women’s Ceremony and Body Paint Designs — during these ceremonies, the women paint their bodies with designs that reflect their ancestral stories and responsibilities and as each woman takes her turn to be ‘painted up,’ songs are sung to honour the stories and teachings of their ancestors. Through these Awelye ceremonies, women show respect for their Country and ensure the ongoing health and well-being of their community.
Belinda’s painting also brings together the bush tucker, waterholes, and ceremonial sites that are vital to women when they go out on Country — sometimes for a week or more — to conduct these sacred rituals. The women perform ceremonies linked to the Desert Yam (Bush Plum) story from Belinda’s family’s Country, paying homage to the spirit of this special plant in the hope that it will continue to flourish and regenerate.
The fine dotting throughout the artwork represents Kame, the seeds of the Desert Yam, while the circular motifs speak of Atwakeye (Bush Orange) and the vital waterholes scattered across the desert landscape — sources of life, connection, and continuity.
Through her work, Belinda captures the rhythm of women’s songlines — a living expression of Country, ceremony, and the eternal bond between the people and the land.
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