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Christine Nungarrayi Brown / Women’s Dreaming (1407-21ny)

SKU: 1407-21ny

76cm x 61cm Acrylic on Canvas 

$830.00

76cm x 61cm Acrylic on Canvas 

(Sold)

Artist Profile

Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity/Provenance

Christine Nungarrayi Brown is from Kintore, she is Married to Michael Jangala Gallagher son of Pauline Napangardi Gallagher. Christine paints for Warlukurlangu Art Centre in the Northern Territory.

Warlukurlangu Artists Aboriginal Corporation of Yuendumu was incorporated in 1986. Warlukurlangu is a not for profit organisation that has more than 600 members, all of whom are Indigenous artists. It is directed by an executive committee of eight men and eight women representing all the ‘skin groups’. It meets regularly to set policy, make decisions about the organisation and direct staff.

Established in 1985 Warlukurlangu Artists Aboriginal Corporation is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.

Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings and limited edition prints. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.

Warlukurlangu means ‘belonging to fire’ in the local language, Warlpiri, and is named for a fire dreaming site west of Yuendumu.

 

Artwork Description

The country associated with this Water Dreaming is Mikanji, a watercourse west of Yuendumu that is usually dry. There are soakages in this creek bed. The owners of this Dreaming site are Nangala / Nampijinpa women and Jangala / Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.

In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a soakage in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two river red gums growing near the soakage.

In contemporary Warlpiri paintings, traditional iconography is used to represent the Dreaming, associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent cumulus & stratocumulus clouds, and longer, flowing lines represent flood waters. Small circles are used to depict soakages and river beds.

Christine Nungarrayi Brown / Women's Dreaming (1407-21ny) (Sold)
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Amazing. .wonderful paintings…love the stories told with each..beautiful works by all..look forward each day to see what is next to come…a big thank you to all for your beautiful pieces

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Just exquisite work, the detail, the colour and the stories. I’m in love with Artlandish Art!

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Loving how Kirstie finds brilliant artists and shares not only the artwork, but the back story of both the piece AND the artist. You can tell she absolutely loves Aboriginal art, and she has such great rapport with the artists.

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Hayley Beaver – London

Beautiful art work….. Love it!

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