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Jerusha Nungarrayi Morris / Desert Fringe-rush Seed Dreaming (2A)

30cm x 30cm Acrylic on Canvas

 

SKU: 2380-18ny

$170.00

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Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity/Provenance

Jerusha is a Warlpiri artist who paints for Warlukurlangu Art Centre in the Northern Territory.

Warlukurlangu Artists Aboriginal Corporation of Yuendumu was incorporated in 1986. Warlukurlangu is a not for profit organisation that has more than 600 members, all of whom are Indigenous artists. It is directed by an executive committee of eight men and eight women representing all the ‘skin groups’. It meets regularly to set policy, make decisions about the organisation and direct staff.

Established in 1985 Warlukurlangu Artists Aboriginal Corporation is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.

Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings and limited edition prints. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.

Warlukurlangu means ‘belonging to fire’ in the local language, Warlpiri, and is named for a fire dreaming site west of Yuendumu.

This Jukurrpa belongs to women of the Nakamarra / Napurrurla subsections and to Jakamarra / Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).

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