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Joy Nangala Brown / Yumari Dreaming (4465-22)
SKU: 4465-22
76cm x 46cm Acrylic on Linen
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$720.00
76cm x 46cm Acrylic on Linen
(Sold)
How Artworks Are Sent
Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.
Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.
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Artist Profile
Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity/Provenance
Joy Nangala Brown was born in Alice Springs Hospital on the 4th of July, 1966. She spent most of her childhood at Yuendumu, although did several years of schooling in Alice Springs at Yirara College. Joy moved to Nyirrpi in the early 1980’s, and has lived there ever since, although she travels back and forth to Yuendumu to visit family. Joy is the daughter of the successful Pintupi artist Pegleg Jampijinpa, and grew up with his artwork around her. She is married to Jay Jay Spencer, the adopted son of another highly successful artist from Yuendumu, Paddy Japaljarri Stewart. They have two children, a daughter and son and grandchildren. Her daughter Debbie Napaljarri Brown also paints with Warlukurlangu Artists. Joy has been painting with Warlukurlangu Artists Aboriginal Corporation since 2006.
Joy paints her Father’s and Grandfather’s Jukurrpa stories, Dreamings passed down to her by her mother and father, who in turn received them from their parents. They relate directly to the land and its features, and the plants and animals that live on it.
Joy enjoys hunting for goannas and bush tucker, playing cards and singing in the church choir in her spare time.
Artwork Description
The site for this Dreaming is Yumari, a collection of rocks west of Kintore in the Gibson Desert. Yumari is the site of a forbidden love union between a Japaljarri man and a Nangala woman. This Dreaming was passed down to the artist by a Pintupi man. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. In this work concentric circles are often used to represent ‘warnirri’ (rock holes).
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