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Katherine Marshall Nakamarra / Women’s Ceremony (8A)
180cm x 120cm Acrylic on CanvasView more from artist
180cm x 120cm Acrylic on Canvas
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How Artworks Are Sent
Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.
Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.
These artworks will need to be stretched on a stretcher board before hanging.
This can be done by nearly any picture framer (highly recommended) or you can DIY if you’re confident in your handiwork.
There are numerous "how to" videos on YouTube showing you how to achieve this.
Katherine began painting in the mid 1980s, along with her sisters Debra Young Nakamarra and Lorraine Yungut Nakamarra. Painting with their mother, the highly-acclaimed Pintupi artist Walangkura Napanangka, the three sisters have inherited her stories and iconography for representing them.
Katherine’s father, Johnny Yungut Tjupurrula, was also a successful Papunya Tula artist, as were her mother’s sister, Pirrmangka Napanangka, and her grandmother, Inyuwa Nampitjinpa.
Similarities can be seen between Katherine’s work and the bold style of the Papunya Tula movement. This is especially evident in the way the paint is applied in thick, joined dots. Katherine has developed her own palette of colours and her personal way of representing the iconography to depict the traditional sacred women’s sites in the Kintore area, located 250km west of her birthplace.
Katherine is most certainly a talented artist; her works are bold, culturally significant and create a sense of powerful energy.
• Black and White and Red All Over, Gallery 1, Noosa, QLD
• Passing Down Stories, Japingka Gallery, Fremantle, QLD
• Desert Dreamings, Leslie Smith Gallery, Netherlands
• Red Sands Gallery, Eumundi, QLD
• Papunya Tula Art Gallery, Alice Springs, NT
• Harrison Galleries, Paddington, NSW
• Papunya Tula Art Gallery, Alice Springs, NT
Story of the Artwork
Striking colours and heavy dot work are used to depict traditional sacred women’s sites in the Kintore area, which is located 250km west of Katherine’s birthplace. The concentric circles commonly seen in her paintings represent the important ceremonial sites for Katherine and her ancestors and the connecting lines between the circles are the ancient travelling paths that lead to these sites. These were established as an indicator for the passage from one site to the next during ceremony.
Shipping, Returns & Exchanges
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Note: Some countries & local jurisdictions may charge import customs fees. Please check with your local customs office. Free shipping does not include any additional import duties, taxes or fees.Guarantee & Refunds:
All artworks come with a 30-day 100% money back guarantee.
If, for whatever reason, on delivery of your artwork(s), you are not satisfied with your acquisition, you may return the artworks(s) for a full refund of the purchase price.
When requesting a refund all return shipping charges are to be borne by the customer and as all goods are the responsibility of the customer until they are received by us, we highly recommend that you insure the goods to be returned to the value of the purchase price.
This can usually be done easily through your local postage service or courier.Exchanges:
The Artlandish 30-day exchange program means you may also swap your artwork(s) with something else up to the value of the originally purchased painting(s).
Simply notify Artlandish within 30 days of receiving your artwork that you wish to exchange it for another piece and then return the artwork to be exchanged.
The new artwork(s) chosen via exchange also enjoy Free worldwide shipping! You will only have to cover the return shipping costs of the artwork you wish to exchange.
If you have any other questions or concerns , please don't hesitate to contact us at any time.
For more information and full details please see our refunds and returns policy page , money back guarantee page and our shipping page