Maureen Nampijinpa Hudson / Seven Sisters Dreaming (19808)

Maureen Nampijinpa Hudson is one of the most respected Warlpiri artists working today, celebrated for her richly textured paintings that depict the stories, landscapes and ceremonial traditions of her Central Australian homelands.

Born around 1952 at Yuelamu (Mt Allan cattle station) north west of Alice Springs in the Northern Territory, Maureen grew up immersed in Warlpiri culture, surrounded by family, Country and the Dreaming stories that continue to inspire her paintings today. Her ancestral stories originate from Warlukalongu, the country of her father and grandfather, and include Sand Dunes (Tali), Fire Dreaming, Emu Dreaming and Women’s Ceremony stories passed down through both her father’s and mother’s family lines.

Maureen began painting at just twelve years old alongside the senior women of Yuelamu, learning through observation, storytelling and cultural practice. She has now spent more than five decades painting what she lovingly refers to as “culture art”, developing a distinctive style recognised for its intricate detail, rhythmic movement and vibrant desert colours.

The Sand Dunes (Tali) paintings that Maureen is particularly renowned for are deeply personal representations of her father’s Country. Rather than simple landscape depictions, these works are visual maps of ancestral land, recalling the sweeping sand hills, ceremonial grounds, waterholes and family outstations that define her connection to Country. Using layers of flowing lines, delicate dot work and rich ochre tones, Maureen captures both the physical beauty and spiritual significance of the desert landscape.

Maureen’s artistic career spans more than forty years, with her works exhibited nationally and internationally and held in private collections throughout Australia, Europe and the United States. She has also worked collaboratively with other artists on significant projects, including the well-known collaborative painting Seven Sisters Dreaming created with Maggie Urban for the Commitments exhibition which toured through the Institute of Modern Art in Brisbane in 1993.

A significant influence throughout Maureen’s life was her first cousin, the late Clifford Possum Tjapaltjarri AO, one of the most important figures in contemporary Aboriginal art. Growing up together at Yuelamu, the pair painted side by side and shared stories passed down through family and community. This strong artistic lineage continues today through Maureen’s daughter, artist Julieanne Turner Nungarrayi, and her grandson Farron Furber Jampitjinpa, both of whom have followed in her footsteps as painters.

Today, Maureen divides her time between Adelaide and Central Australia, regularly returning to Country to reconnect with family, culture and the stories that remain at the heart of her work. Her paintings continue to celebrate the enduring strength of Warlpiri culture, carrying the stories of her ancestors and Country to audiences around the world.

Selected Solo Exhibitions
• 2019 Summer Show & Art Parade, Salt, Queenscliff, VIC
• 2004 The Art of Maureen Nampitjinpa, Ladner and Fell Gallery, Melbourne

Selected Group Exhibitions
• 2025 At The Gallery, Japingka Gallery, Fremantle
• 2024 Small is Beautiful, Japingka Gallery, Fremantle
• 2023 Tali Desert Sand Dunes, Japingka Gallery, Fremantle
• 2022 Sandhill Country | Paintings of Inland Australia, Japingka Gallery, Fremantle
• 2020 Sounds of Summer, Japingka Gallery, Perth
• 2020 Central Focus, Art Mob, Hobart
• 2004 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 2003 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 2003 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 2002 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 2002 Maureen Nampitjinpa, Tineriba Gallery, Hahndorf, SA
• 2001 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 2000 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 2000 Selected works by Maureen Nampitjinpa and Lorna Napurrula Art Lounge, Adelaide
• 1999 Artist in Residence – Mulgara Gallery, Ayers Rock Resort, NT
• 1999 Featured artist with State Transport Authority, Adelaide
• 1998 Artist in residence – Mulgara Gallery, Ayers Rock Resort, NT
• 1998 Songlines, Boulder, Colorado USA
• 1997 Women Dreaming, Gallery 47, London, UK
• 1997 Selected works by Eunice Napangardi and Maureen Hudson, Jeffrey Moose Gallery, Seattle, USA
• 1997 Desert Dreams, National Aboriginal Cultural Institute, Adelaide
• 1995 Dreamings of the Desert, Uluru Gallery, Ayers Rock
• 1994 Dreamings – Maureen Hudson and Clifford Possum, Tribal Art Gallery, Flinders Lane, Melbourne
• 1993 Commitments, Museum of Modern Art, Brisbane
• 1992 Sand Paintings of the Central Desert, Centre for Aboriginal Art, Alice Springs
• 1992 Central Australian Art, The Art Dock, Noumea, New Caledonia

Career Highlights
• Represented Australia in a major international Indigenous art exhibition held at the Myer Centre in Adelaide in 2006, showcasing alongside Indigenous artists from around the world.
• Commissioned by the Adelaide Festival of Arts in 2004 to create a large-scale painted panel for the festival.
• Artwork selected for a series of Aboriginal health awareness posters produced in Adelaide.
• Designs reproduced as high-quality pure wool art rugs in Western Australia.
• Several artworks licensed by Balarinji for use across a range of products including placemats, jewellery, coasters and umbrellas.
• Artwork featured on the cover of the inaugural Indigenous arts publication Kultcha Now.

Selected Collections
• Hank Ebes Collection, Melbourne
• Jacqui McPhee Collection, Perth

This painting depicts the ancient Seven Sisters Dreaming, one of the great songlines that travels across Australia. The story tells of seven ancestral sisters who journeyed across the land while being pursued by a man who desired one of the women as his wife. Under traditional law the relationship was forbidden, as the man belonged to the wrong skin group.

In Warlpiri versions of the story from the Central Desert, the pursuer is often represented as a Jakamarra man, while in Anangu stories from the APY Lands he is known as Wati Nyiru.

As the sisters travelled across Country they shaped the landscape, creating sacred sites, rock formations, waterholes and sandhills along their journey. At various places the sisters narrowly escaped, using their knowledge of Country, digging sticks and bush skills to outwit their pursuer.

Eventually, the sisters fled into the sky where they became the Pleiades star cluster. The pursuing man also rose into the night sky, becoming the constellation associated with Orion. The eternal chase can still be seen each night in the stars above Australia.

Through intricate patterning, movement and traditional iconography, Maureen captures the spiritual energy and enduring significance of this important ancestral story.