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Valma Nakamarra White / Snake Dreaming (4A)
46cm x 30cm Acrylic on LinenView more from artist
46cm x 30cm Acrylic on Linen
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Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.
Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.
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Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity/Provenance
Valma Nakamarra White was born in 1997 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community located 290 km north-west of Alice Springs in the NT of Australia. Valerie was born into a family of artists. Her mother is Sabrina Napangardi Granites and her Grandmother is Alma Nungarrayi Granites, both established artists who have exhibited in Australia and overseas. Valma grew up listening to her mother and father’s Jukurrpa stories while watching her family paint. She went to the local school in Yuendumu, finishing off her studies at Yirara College, an Aboriginal boarding college in Alice Springs. When she finished school she worked on the Mt Theo Program and on a Walpriri Media project. She is married and has a little baby girl Cerella, born in 2013.
Valma began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, in 2013. She paints her father’s Jukurrpa, Warna Jukurrpa (Snake Dreaming) that relates to her homeland, Mijirlparnta (Mission Creek). These stories have been passed down over the generations for millennia and relate directly to the land, its features and the plants and animals that inhabit it. Valma uses an unrestricted palette to depict a modern interpretation of her traditional culture.
When Valma is not painting she enjoys her home and is ‘house proud’ creating a clean home to share with family and friends, especially when watching TV. She also works occasionally at the art centre assisting with day to day activities. On weekends she sometimes goes hunting with her family.
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The ‘kirda’ (owners) for this site are Nangala / Nampijinpa women and Jangala / Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.
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