Kathleen was born c. 1930 but didn’t begin her art career until the late 1970’s in the medium of batik with over eighty other women from the Utopia Region in Central Australia. Her work in batik is featured in Utopia A Picture Story. When the acrylics on canvas movement swept Utopia in the late 1980’s, Kathleen like the other women swiftly changed mediums. Kathleen’s popularity as an artist grew in the early 2000’s, for her simplistic “Bush Plum” paintings. Her work has been exhibited around the globe and is also featured frequently in Aboriginal Art Auctions.
Kathleen loves to paint and talk about her work. Though she does not speak much English, she continues to try and teach the wider world about her paintings and the Anwekety that features in them. Kathleen refers to the Anwekety as Bush Plum, which in fact are small black conkerberries that grow on the plant after good rain.
Living with her sisters and extended family in the Utopia Region, Kathleen is encouraged by and passes her enthusiasm onto them. Artists Polly Ngale, Glady Kemarre and Angelina Pwerle are just a few family members to name.
• Urapunja Artists in Brisbane, Micheal Sourgnes
• Out of the Desert, Desert Gallery, Sydney
• Finalist, National Aboriginal and Torres Strait Islander Award
• Utopia a Special Painting Place, Bett Gallery, Hobart
• Desert Mob, Araluen Art Centre, Alice Springs, NT
• Bush Plum Dreaming, Indigenart, Perth, WA
• Two sisters, Kathleen and Polly, Lorraine Diggins, Melbourne
• Australian Modern, Fondazione Mudima, Milan, Italy
• Desert Mob, Araluen Art Centre, Alice Springs, Northern Territory
• Lorraine Diggins exhibition, London
• Senior Women of Utopia, GalleryG, Brisbane
• Patterns Of Power, Art From The Eastern Desert, Simmer On The Bay Gallery, Sydney