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Melanie Hava / Mariah Creek Camp

60cm x 60cm Acrylic on Canvas, Stretched Ready to Hang



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SKU: MH44 Category:

Reflections Series

Artlandish is delighted to have acquired these paintings by Melanie Hava that formed part of her recent exhibition “REFLECTIONS” AT UMI Arts Michl and Missi Galleries, Cairns.

About her “Reflections” series Melanie says:
I am inspired by my grandmother, Doreen Costigan and the stories she has from growing up as a child within a Rainforest Aboriginal family group. Her grandad Duginyoh known as Paddy Brooks, is recognised as one of a dozen Apical Ancestors in the Mamu Native Title Determination (2013), and Brooks Road Mungalli via Millaa Millaa (Far North Queensland) is named after her father, the first white settler in that part of the Wet Tropics region. These are incredible stories, reaching back through the generations to settlement and traditional lifestyles, stories about people and place and history, and most of all perhaps, stories about culture.

My family’s traditional estate on my Grandma’s side is from Millaa Millaa eastwards down the Palmerston Highway along the North Johnstone River catchment which forms the heart of Mamu country and is one of nine in this significant tropical rainforest region. Grandma’s family stories are located in this country and at Mariah Creek north of the Walter Hill Conservation Range where she was born, and also at Yarrabah Mission where her mum and sisters were removed to from their white father for a time.

These paintings are a new direction for me, being the first time in which I have intentionally painted and exhibited landscapes and people. I came to our ancestral home and hugely extended rainforest family mob in 2010, deliberately so I and my children could spend time with our people and absorb more of our rainforest cultural heritage. I’ve painted this new experience, more so because I am encouraged to do it by family and cultural networks.

With this exhibition I have felt immense satisfaction working with my Grandma to paint her memories, and seeing her coming alive in telling them – passing the family stories along and loving it. She and her sister, my Nana Lola, are now themselves the matriarchs, the senior Elders, linking the now generations with our Mamu Ancestors and our line of connection with our traditional estate; Mamu tropical rainforest country. It is now recognised as World Heritage for all humanity. It is an important honour to be able to absorb these stories, paint them, and contribute to the telling for all our people who live here, for those who visit our region, and for our future generations.


In Melanie’s own words

I am blessed to have been born into interesting and diverse cultures: my father comes from the oldest city in Austria, Enns (Upper Austria) and my mother is from the oldest cultures in the world, Aboriginal people of Australia. While celebrating my Austrian heritage, I also identify through my Mum’s line as a Mamu Aboriginal woman, Dugul-barra and Wari-barra family groups, from the Johnstone River catchment of the Wet Tropics of Far North Queensland and the adjoining Great Barrier Reef sea country. Reef and rainforest country are important sources for my inspirations. I have known from a very young age that I was going to be an artist. While also being a bookworm and a piano player, art was a world that I frequently retreated into as I grew up. I reckon this is because I was deaf and felt I couldn’t join in with groups of people. As a teen and along with my sister Joelene, we created art on didgeridoos and canvas. This art sold very quickly in the little opal mining outback town of Yowah way out back of western Queensland. This red soil country still influences my works. When I was in my late teens/early twenties, I started playing around with the ideas of combining my Aboriginal and Austrian inspirations. I had already tried my style in Aboriginal, Folk and Abstract arts and I had had a successful first exhibition at Outback at Isa Gallery (and right now coming up to a 10 year anniversary exhibition with them). So at 23 I travelled to Austria to live with my father’s family and absorb as much as I could of the Folk and European culture. More than anything I loved the architecture, inside and out. The patterns, gold leaf and occasional Swarovski crystal in my works are some things that since then inspire my work! In 2007 and 2009 I had children: the first a beautiful girl born with Spina Bifida and the other a very energetic boy. I found myself out of the rat race of paid work and a lot of extra time on my hands (post daughter and pre son that is!). So I indulged myself with painting every moment that I could. I’ve since joined up with more galleries, had several exhibitions both solo and group, painting in Mount Isa, Toowoomba and Yowah before settling down in beautiful and inspiring Far North Queensland’s Cairns city – close at hand to my mother’s country and generations past and present. I’m feeling close with the spirit of rainforest and reef animals and this is coming out in my work. Also, I’m expanding my past focus by exploring family, culture and country stories and looking forward to where this leads.

Solo Exhibitions • 2015 – Solo exhibition ‘Mirages to Rainbows’ at Outback at Isa’s Outback Gallery • 2014 – Fusion at Tosari Galleries • 2013 – UnderArt Gallery, Cairns • 2011 – Feature artist at Tosari Galleries • 2010 – “From Dust To Thunder,” Tosari Galleries, Toowoomba • 2009 – “Indigenously Austr(al)ian,” Toowoomba Regional Art Gallery, Toowoomba • 2005 – “Migaloo Murri,” Outback at Isa, Mount Isa

Group Exhibitions • 2014 – Manyung gallery, Mt Eliza • 2014 – Outback Gallery at Mount Isa • 2014 – The Quilpie Museum, Gallery and Visitor Information Centre • 2013 – Manyung Gallery, Mt Eliza • 2013 – The Quilpie Museum, Gallery and Visitor Information Centre • 2012 – Earths Elements, Manyung Gallery, Mt Eliza • 2012 – The Quilpie Museum, Gallery and Visitor Information Centre • 2008 – Brisbane Women’s Club, Brisbane • 2007 – Gulf of Carpentaria and Savannah Indigenous Dreaming’s and Lifestyle exhibition

Write-ups • Landscapes Inspire Artist, The Chronicle, 14/06/14 • Denise Carter, Melanie Hava combines Australian and Austrian influences in new solo art exhibition at UnderArt Gallery in Cairns, 29/10/13 • Ally Martel, “Indigenous Mix,” Highlife Magazine, Spring 2010 • Sandy Pottinger, “Artist Shares Imaginative Landscapes,” The Chronicle, 05/06/2010 • Rosie O’Sullivan, “Melanie Hava,” Style Magazine, June 2010 • Merryl Miller, “From Dust to Thunder,” Style Magazine, June 2010 • Sandy Pottinger, “Solo Exhibitions Shape Focal Points for Brave Artists,” The Chronicle, 11/07/2009 • Joann Marsh, “Artist Fuses Cultures to Create Work,” The Chronicle, 04/07/2009 • Tahnee Watson, “Pair’s Art Becomes Serious Business,” The North West Star, 04/03/2008 • Alison Mooney, “Motherhood Influential,” The North West Star, 08/01/2008 • Aleisha Orr, “Exhibition Aids Artists,” The North West Star, 15/08/2007 • Aleisha Orr, “Exhibition Aids Artists,” The North West Star, 15/08/2007 • Mia Ginnivan, “Talented Young Woman,” The North West Star, 10/06/2005

Mariah Creek camp was on Grandma’s father Walter Brook’s property near El Arish just past the southern end of what is recognised as Mamu traditional estate country. Grandma was actually born near by Mariah Creek. When she and her sisters were little, the household would often go from Brooks Road, Mungalli down to El Arish Mariah Creek and camp in the shed by the creek. I’m told there was a bunch of domestic gobble gobble turkeys as well as wild bush turkeys “moongarrah” that would hang around the camp. The girl’s older half-sisters from their father’s first family side would play with them in the creek, and this is well remembered by my Grandma and my Nana Lola’s nieces from their father’s first family. For many decades 1950s to 1990s there was some but little connection between our black and white family groups – we’re all very happy that the ties are again coming closer and closer. Grandma says that there are crocodiles “ganyarra” in that creek “winyju” and they didn’t realise that when they were younger or she would have never gone swimming there!

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