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Teranie Nangala Williams / Honey Ant Dreaming (5392-23)

SKU: 5392-23

61cm x 46cm Acrylic on Canvas

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Original price was: $395.00.Current price is: $175.00.

61cm x 46cm Acrylic on Canvas

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Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.

Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.

These artworks will need to be stretched around a wooden frame before hanging

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Artist Profile

Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity/Provenance

Teranie Nangala Williams is a Warlpiri artist who paints for Warlukurlangu Art Centre in the Northern Territory.

Warlukurlangu Artists Aboriginal Corporation of Yuendumu was incorporated in 1986. Warlukurlangu is a not for profit organisation that has more than 600 members, all of whom are Indigenous artists. It is directed by an executive committee of eight men and eight women representing all the ‘skin groups’. It meets regularly to set policy, make decisions about the organisation and direct staff.

Established in 1985 Warlukurlangu Artists Aboriginal Corporation is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.

Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings and limited edition prints. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.

Warlukurlangu means ‘belonging to fire’ in the local language, Warlpiri, and is named for a fire dreaming site west of Yuendumu.

Artwork Description

This painting depicts a ‘yurrampi Jukurrpa’ (honey ant Dreaming). This Jukurrpa has special significance for Warlpiri people living in Yuendumu because it passes right through the Yuendumu community. Yuendumu is therefore also called ‘Yurrampi’ (honey ant) for this reason. The ‘kirda’ (owners) of this Jukurrpa are Japangardi/Japanangka men and Napangardi/Napanangka women.

This ‘yurrampi Jukurrpa’ begins southeast of Yuendumu at Yulumu and travels west. The honey ant ancestors made passages and chambers underground as they traveled, which created the soakages that remain today. After Yulumu, the ‘yurrampi’ went west to Yulyupunyu, a small hill called Yamparlinyi, and a place called Yakurrukaji, where they made a soakage. This soakage at Yakurrukaji supplied water to the original settlement of Yuendumu, and is where Yuendumu’s houses stand today.

After leaving Yakurrukaji, the ‘yurrampi’ went on to a place called ‘Wanakurduparnta’ west of Yuendumu, where they sat and attracted other ‘yurrampi’ ancestors to them. Some of the ‘yurrampi’ eventually went back east underground and died at Yulyupunyu, while others went back and died at Yulumu. The ‘yurrampi Jukurrpa’ at Yuendumu is also associated with a ‘wakapartari Jukurrpa’ (mulga worm Dreaming) and ‘jipilyaku Jukurrpa’ (duck Dreaming), all of which overlap at Yakurrukaji.

‘Yurrampi’ (also called ‘yunkaranyi’) are a prized delicacy, considered well worth the enormous effort it takes to dig them out of the ground. Honey ant nests can be located by looking for honey ants that are walking around on the ground and following them back to the entrance of their nest. These foraging honey ants are called ‘jaka-liirli’ and can be identified by a little yellow stripe on their bottoms. When digging up the nest, people look for streaks of bright red soil (‘kanjirtirirtiri’) that signify that they are getting close to the underground honey ant chambers (called ‘minki’). Honey ants ants dig tunnels quite deep underground in ‘jirrijirrirnpa’ (mulga woodland country). Branching from these passageways are chambers in which the edible honey ants are suspended from the ceilings, full of nectar collected from ‘yanyirlingi’ (desert fuchsia). With their swollen abdomens, the ants are unable to move. People pick them out, gather them in ‘parraja’ (coolamons), and eat their abdomens, which taste like honey.

In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of this Jukurrpa, concentric circles can represent the soakages created by the ‘yurrampi’ ancestors. These circles can be connected by lines representing the ‘yurrampi’ ancestors’ tracks. Straight lines can represent the ‘karlangu’ (digging sticks) used to dig up the honey ant nests.

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Teranie Nangala Williams / Honey Ant Dreaming (5392-23)

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Gail Walls

Amazing. .wonderful paintings…love the stories told with each..beautiful works by all..look forward each day to see what is next to come…a big thank you to all for your beautiful pieces

Alli Lou

If there was an option to, I’d give a 100 star rating

Gheorghe Taralunga – Craiova


Katherine Chandler Ferguson – Fitzroy Crossing

I’ve not been able to visit for a while but love the work here! I think I’m due a trip with the boys soon!

Greg Ambrose-Pearce – Darwin

Seamless purchase great people to deal with would love to buy more!

Sue Candy

Just exquisite work, the detail, the colour and the stories. I’m in love with Artlandish Art!

Raye Stratford

Loving how Kirstie finds brilliant artists and shares not only the artwork, but the back story of both the piece AND the artist. You can tell she absolutely loves Aboriginal art, and she has such great rapport with the artists.

Mark Carroll – London

Best place to buy genuine, quality art from. On my 10th purchase and counting.

Hayley Beaver – London

Beautiful art work….. Love it!

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