Veston Jakamarra Walker / Red Kangaroo Dreaming – Yarnardilyi & Jurnti (1944-26)

Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity/Provenance

Veston Jakamarra Walker is a Warlpiri artist who paints for Warlukurlangu Art Centre in the Northern Territory.

Warlukurlangu Artists Aboriginal Corporation of Yuendumu was incorporated in 1986. Warlukurlangu is a not for profit organisation that has more than 600 members, all of whom are Indigenous artists. It is directed by an executive committee of eight men and eight women representing all the ‘skin groups’. It meets regularly to set policy, make decisions about the organisation and direct staff.

Established in 1985 Warlukurlangu Artists Aboriginal Corporation is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.

Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings and limited edition prints. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.

Warlukurlangu means ‘belonging to fire’ in the local language, Warlpiri, and is named for a fire dreaming site west of Yuendumu.

This painting depicts the Marlu Jukurrpa (red kangaroo Dreaming) from Yarnardilyi and Jurnti (Mt Dennison area). ‘Marlu’ are highly valued as a food source by Warlpiri people.

In the story of this painting an old ancestral kangaroo named Warlawee, who made its camp at Jurnti and moves from place to place – hunting during the day and returning at night to the camp, which it has formed by digging depressions in the soft ground. Warlawee traveled around large areas of country looking for their preferred foods, which include ‘yukuri’ (fresh green growth) and ‘yulkardi’ (desert cucumber) a low-growing herb found underneath ‘mulga’ trees which is used by Warlpiri people for medicinal purposes.

He is thinking about having a ceremony for men. Women are not permitted to dance in this ceremony. This Jukurrpa is the custodial responsibility of Japaljarri/Jungarrayi men and Napaljarri/Nungarrayi women.

In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Concentric circles are often used in depictions of this story to represent the rocks at Yarnardilyi. The arc shapes depict the kangaroo’s camp in the Jurnti area and ‘E’ and hooked shapes usually depict the ‘marlu wirliya’ (kangaroo fore and hind footprints) while long, straight lines represent the ‘marlu ngirnti’ (kangaroo tail tracks).